At 125 BPM in 2B, Marsh sets a steady rolling frame: the kick is firm, the top end stays airy, and the melodic hook arrives early enough to give the track a clear silhouette. The energy reading sits at 9, but it doesn't feel like a blunt push; the pressure comes from tidy layering and a bassline that keeps the floor moving while the chords widen the space around it.
It belongs in the warmer, more melodic stretch of a progressive set — after the tools have done their work and before anything needs to get darker. The hook is memorable without being crowded, and the arrangement leaves enough clean air for a long mix. I'd use it to lift a room gently rather than force the issue.