House in its many shades carried the day, with progressive cuts from Zoo Brazil, Marsh and Ranj Kaler setting a steady, rolling tempo alongside deeper turns from Red Axes and Hiatus Kaiyote's Ki Pharaoh edit. Kerri Chandler's dub techno "Downtown" and Âme's "Topanga" supplied the after-hours weight, while Amelie Lens's tech trance mix of "In Silence" was the sharpest jolt.
33 added to rotation
F-minor deep house at a walking pace — all haze and half-light, built for the long ramp down rather than the peak.
A 125 BPM progressive house cut with a melodic hook that lingers, built for the long arc rather than the quick hit.
A 122 BPM progressive house roller in C minor, all tight percussion and a bassline that keeps its counsel.
A vocal-led progressive house cut that glides at 122 BPM, all sober melancholy and a hook that lingers just long enough.
A dry vocal hook and clipped bass at 125 — tech house that keeps its cool and quietly holds a daytime floor together.
Marsh keeps 125 BPM progressive house clean and propulsive, with a melodic hook that opens the room without overplaying its hand.
Warm chords and dub shadows at 125 BPM; the energy reads 10 but the groove stays intimate.
Vocal fragments smeared across a rolling G# minor groove — melodic house that opens a room rather than filling it.
A 122 BPM strider in F# minor — energy pushed to the top end, melody held back, low-end doing the talking.
A tight vocal house cut that keeps its cool at 122 BPM — E minor bass, crisp percussion, and a hook that lingers without shouting.
A vocal-led progressive house cut that rides a 125 BPM pulse with organic textures and a groove that settles rather than surges.
Afro-house percussion over a dry, unbothered kick, with a vocal that thins rather than swells — brisk, unhurried, quietly persuasive.
A bright vocal hook over a dry, clipped 128 pulse — main-room house with a shadow under the shine.
Vocal electro with the voice high and dry, a bassline that keeps changing its mind, and enough density to fill a room without ever raising its own.
Red Axes and students carve a hypnotic deep-house groove that feels like a basement at 4am.
A lean 128 BPM tech-house groove in 6B: tight drums, nudging bass and chord stabs with room to breathe.
Tech trance at 133 in A minor: clean, propulsive, and built for the long stretch where a set needs momentum more than drama.
A loose-limbed basement house edit that lets the vocal breathe while the low end keeps the floor in motion.
A vocal-led progressive cut that trusts its own space — 122 BPM of patient lift, warm bass and a topline that leaves room to breathe.
Dry, tight and tuned to C sharp minor — a 130 BPM pressure record that shifts a room without raising its voice.
Tech trance at 140 with a hook that lodges quietly — one colour, held with discipline rather than bluster.
A 140 BPM tech-trance cut where the chant turns to texture and the hand drums keep slipping the grid — bright, steady, made for a room filling up.