Ayewah!

Tony Quattro frames the rhythm at a steady 130 BPM, letting ZAINAB’s voice supply the real topography; the melody arcs across the stereo field with a global-inflected lilt that never sacrifices floor weight. In key 7A, the harmonic tension stays sharp but inviting, each hook landing with the kind of tactile immediacy that justifies its near-maximum energy rating without collapsing into mere noise.

It is a peak-time weapon, no doubt, yet the vocal texture gives it enough soul to bridge earlier, heads-down moments into full release. On a Technicolour release you expect this calibre of club architecture: functional enough for the booth, colourful enough to remember. I would slip it in after a stripped-back roller and watch the room ignite.