At 125 the drums don't so much hit as lean: a swung kick, hats lagging a hair behind the grid, a sample loop worn smooth at the edges. E-flat minor keeps the harmony close and faintly sour, so the whole thing feels like a low-lit room with the windows open. The texture is the point — crackle, filtered chords, a bassline that moves in small steps rather than grand ones.
The energy reading sits at the top of the scale, and you can hear why, though it's pressure rather than spectacle. There's real weight in the low end, and the shuffle gives it a forward tilt that keeps a floor moving without anything being announced. Slot it mid-set, between something cleaner and something stranger, and let it do the quiet work.