At 154 BPM, the grid moves like a half-time crawl, each beat landing with the heavy-lidded weight of an after-hours comedown. I hear Four Tet letting those chimers ring out in D-minor space, coating the air in textural fog that feels closer to bedroom experimentalism than club functionality, even if the energy level sits at a steady 7. I would slip this Domino cut into the 4 AM pocket when the floor has thinned and the remaining heads need something cerebral. Tagged electronic and experimental, it moves like a downbeat prayer run at double speed, bridging ambient drift and broken rhythm without ever pledging allegiance to either.