At 128 the tempo isn't doing the work — the density is. The kick is clipped and forward, hats sit tight against it, and the whole thing reads as energy 10 without ever sprinting. In C# minor the stabs land flat and metallic, closer to percussion than melody, so the groove keeps its head down and never asks for attention it hasn't earned.
For me it's a mid-set record: the point where a room has settled into a stride and needs something to lean on rather than a lift. The low end is dry, the top end is busy, and the space between them is where the tension sits. I'd ride it under something longer and more melodic and let the pressure do the talking.