Truss Me

At 140 BPM, this operates at that precipice where bassline hardcore meets outright warehouse pressure. Anz sculpts the low-end into a physical presence, letting the 12A key centre sink its teeth into the subs without mercy. The energy is absolute—there is no dip, no breath, only a locked groove that treats the dancefloor like a single vibrating plate.

This is a record for the dead-zone after midnight: dropped when the warm-up has bled out and the room needs a jolt of unrelenting forward motion. It belongs in the heavy-lifting pocket of a set, bridging those UKG-bassline hybrids into outright 140 BPM assault. Project Allout Records has never felt like a more appropriate home.