Oli Coony

The 128 BPM grid locks tight, stitching distinctive samples into a leftfield deep-house framework that feels meticulously hand-tweaked. Everything sits in the 12B minor-key pocket, generating a smoky, after-hours gravity that keeps the ten-out-of-ten energy from ever feeling blunt; instead, it remains liquid, propulsive, and slightly unhinged in the best possible way.

This belongs in a set when the room is already sweaty and you need peak-time momentum without resorting to an obvious anthem. It is a basement weapon through and through: credible, kinetic, and built for floors that like their house music with dirt under the fingernails, the Bobby Donny cut acting as a secret handshake for dancers who prefer their grooves left of centre.