Today's haul is all about the dancefloor, with lean techno and muscular house dominating the crates. Wax sets the pace with the razor-sharp "90009B" at 8.8, while Mr. G's "City Heat (Work)" and Derrick May's "Daymares, It Is What It Is" anchor the heavier end of the spectrum. Expect minimal grooves, tech-trance pressure and no let-up in tempo.
53 added to rotation
Saturated minor-key warmth rolls at 115, filling the room with dense, emotive house momentum.
Lean, warm minimal at 125 BPM, threading a 10-out-of-10 intensity through Ab minor restraint.
A lean, 125bpm groove cut from raw fibre, built for sweat and precision rather than decoration.
I keep this deep house reissue at 125 BPM in F# minor for its melodic patience and earned pedigree.
A lean, 128 BPM melodic driver in A major with high energy and spatial discipline; it shifts the room without resorting to brute force.
Melodic glitches unfurl at 128 with a lean, late-night muscularity that fits snugly within Permanent Vacation’s off-centre world.
A polished 125-BPM E-minor house cut that keeps the floor moving with a functional vocal loop and peak-time gloss.
A sleek 122 BPM glide in A minor with enough refined drive to slip neatly between heavier cuts.
Warm, melodic house at 120 BPM that keeps its emotional core under bright, forward pressure.
I'd call it a 122-BPM D-minor spiral that keeps its melodic tension wound tight, trading velocity for insistent, atmospheric pressure.
At 125 BPM in the 7A key, this Holding Hands cut runs a lean, high-voltage groove that leaves no space for error.
A 125 BPM surge of feeling in 7B, where deep house melodicism meets Classic’s refined floor grammar.
Electro sketched at 125 with an organic pulse, where high-tension melody meets breathing room beneath the floor.
Taut melodic bleeps ride a 125 BPM pulse, threading a line between padded low-end and crystalline tension.
Melodic pressure at 125 BPM, stitched through with Db major warmth that fills the room without crowding it.
Dub chords stretched over a 128 BPM grid with enough pressure to keep a room locked at peak time.
At 128 BPM in 5A, this is lean, unadorned club music built for rooms where the air conditioning has already given up.
Lean machine hypnosis at 130 BPM, carving a murky C minor tunnel for the heads-down hours.
At 143 BPM in F minor, Mannerfelt trades breakdowns for scorched metal textures and claustrophobic pressure.
A wiry, hook-laden 133 BPM snap in D minor, keeping its quirks taut against a dry grid.