Today's haul is firmly locked to the dancefloor, with techno and trance leading the charge alongside splashes of UK garage and deep house. Casey Spillman dominates the peak with the driving "Only U" and the skippy "Petunia", while Jeremy P Caulfield's "Shadows" offers a sleek tech-trance detour. It is a moody, propulsive batch built for dark rooms and big systems.
13 added to rotation
Sleek deep house at 120 bpm that trades typical ease for forward momentum, keeping musicality intact while the room tightens.
I hear a vocal-led Afro-house groove at 122bpm that sacrifices depth for immediate floor engagement, best placed mid-set when the room needs guidance.
Melodic restraint at 125: a linear, mid-set groove that lets the hook breathe without forcing the drop.
A flat-side vocal hook rides a 128bpm grid with high energy, threading catchiness through the mix without crowding the floor.
A 136-BPM G minor vortex that trades melody for tension, locking the room into late-night hypnosis.
A polished 130 BPM trance cut in a bright major key that leans on its vocal and steady uplift to keep a room unified during the busy hours.
Tight, dry percussion and a locomotive 125-BPM groove hold the floor in a steady, unflashy sway.
Warm, melodic deep house pitched for the small hours, rolling at 125 with an easy confidence.
A lean, vocal-chopped electro-house cut at 128 BPM that bridges heavier records with crisp, functional precision.
A polished 133-BPM gallop through bright 10B territory, more festival thoroughfare than back-room secret.
At 140bpm in E-flat minor, the energy sits high but the mood stays locked in the margins, all skitter and steel rather than shine.
At one-forty in B-flat minor, Spillman turns peak-time pressure into something almost tender without losing Hessle’s experimental edge.