Dub / ninja
discoveries

Sun, 20 Sept 2026

27 added to rotation · every day's dig

The Ninja on the day's dig

Today’s dig is firmly anchored in house territory, with progressive and classic cuts driving the tempo across the board. The Supermen Lovers and Mani Hoffman’s “Starlight (20th Anniversary)” tops the pile at 8.7, while Mousse T.’s “Horny” and Dustin McCoi and Aphroditi’s “Ain’t No Way” keep the floor moving. Expect steady four-four momentum with brief detours into tech trance and speed garage.

27 added to rotation

Stadium-sized progressive warmth at 120 BPM, stitching minor-key longing to a high-energy groove made for sunlit floors.

Tato7.7

A 125 BPM Afro House juggernaut that channels peak sunshine energy onto the terrace.

Radio Slave and Thomas Gandey forge a 125 BPM juggernaut from a recognised vocal, letting the hook devour the floor.

Relentless melodic thrust engineered for peak-time floors where nuance goes to die.

A rolling 128-BPM mainstage missile that weaponises Ab minor groove into accessible, high-impact daylight fuel.

I would drop this 128-BPM peak-time bomb in any warehouse set; it welds bass-house heft to a technoid grid with zero mercy.

Defected-grade pump at 128 BPM: functional, frictionless, and engineered for daytime floors where polite energy is the brief.

High-gloss progressive house built for sunlit terraces, marrying organic warmth to relentless 125 BPM forward motion.

I’d drop this peak-time progressive bomb for its hook alone: built for big rooms and bigger breakdowns.

A 128 BPM bullet in 4A that still turns sceptics into believers with that indestructible vocal top-line.

A maximalist vocal house missile built for peak-time abandon, where the hook grips the room and refuses to let go.

A muscular 128 BPM house roller that does exactly what it says on the tin: moves bodies.

A lean, high-altitude progressive weapon with melodic torque, though its refusal to offer a vocal anchor keeps it firmly in the DJ toolbox.

A propulsive 133-BPM speed-garage weapon that sacrifices subtlety for sheer, unrelenting dancefloor velocity.

Key 2A tension meets a UK garage gallop at 136 BPM, built to convert the uninitiated.

Unrelenting peak-time artillery built for mainstage sweat and strobe-lit abandon.

Sleek, main-stage tech trance built for arms-up moments and closing-set euphoria.

A sleek, vocal-threaded minimal house cut I'd programme between peak-time bombs without losing the floor.

Speed-garage swing welded to a deep house chassis at 128 BPM, this is bright, peak-time energy with a hook that sticks.

Tribal percussion and a searching vocal collide at 128 BPM, channelling relentless energy into credible daytime territory.

Peak-time melodic techno at 125 BPM in A minor, all polished tension and Ibiza-ready euphoria.

Breaks-driven melodrama at house velocity, polished enough for daylight but fierce enough to command a floor.

Nine-out-of-ten melodic prog finery built for daylight floors where emotion and momentum collide.

Tough, sample-driven A-minor groove at 133bpm that bridges peak-time bombs without diluting the floor’s focus.