James Dexter
James Dexter’s best work is dub-weighted deep techno with the ego stripped out: patient, warm and built for the long haul rather than the drop.
9 plays on air
Start with "Dubbing Again": at 128 BPM it is lean and dub-weighted, trading bombast for hypnotic late-night restraint, all echo and pressure. "The Truth" is the muscular companion at 125 BPM, propulsive and warm with no wasted motion. Both on Inermu show a sound that understands deep techno works through suggestion, not signage.
"Get To This" is the weaker link: a relentless 122 BPM roller that filters peak-time warmth through the Dessous deep house template, but it feels more conventional and less distinctive than the dub techno sides. On a floor, the Inermu records are late-night tools; the Dessous track is warm-up or crossover. Verdict: hear "Dubbing Again" first, then "The Truth"; "Get To This" is useful but not essential.