At 107 BPM, MPH refuses the gridlocked urgency of higher tempos, letting its Hessle Audio DNA unravel through lurching, forward-thinking breaks that feel more like a back-alley conversation than a main-room assault. The energy is a relentless nine, yet Joe channels that voltage into darting percussive switchbacks and sub-bass architecture that keeps the floor leaning forward, never quite settling into predictable four-four complacency. It is the sort of weapon a crate-digger dreams of: perfect for the transition hour, too clever for generic peak-time fodder yet too visceral to linger in headphone obscurity. The IDM tag finally feels earned here—brainy and body-moving in equal measure, proving that distinctive UK bass sound design still has unmapped corners left to explore.