FAUT RETOURNER

The tempo reads 130 but the feel is slower than that: the kick sits back, the hats skip, and the vocal does most of the driving. In A minor the chords stay sour-sweet, which is where those contradictory moods come from — something buoyant in the top line, something resigned underneath. Energy registers at nine, though it's a controlled nine, pressure rather than release, the sort of tension that keeps a floor at four in the morning instead of pulling it apart.

Danceability is near the top of the scale and you can hear why: the groove is legible without being obvious, a clipped bass figure and a dry snare doing the persuading. It belongs mid-set, after the peak, when the room is loose and nobody needs convincing of anything. The French vocal keeps its raw edges, half-spoken in places. I'd drop it at the point where the night turns over.