Move Your Body

At 125 the kick doesn't hurry, but the energy reading sits up at nine, and you hear why: the top end is busy with shakers and clipped chord stabs, everything pushed forward while the low end stays polite. The key sits in F# major, so the chords land bright rather than mournful, and the vocal hook does the work of a lead line — short, repeated, more rhythmic than melodic.

It's a daytime record. Slot it where a set needs to lift without turning hard — after the deeper, dubbier stretch, before anything with teeth. The voice gives dancers something to hold on to when the arrangement thins out, and the groove is steady enough to programme around rather than fight.