All Night Long

At 122 BPM this doesn’t rush; the energy reading of 9 is carried by the low end and the way the top line keeps opening rather than by speed. In 3A the harmony stays close to home, so the lift arrives gradually, without a signposted drop. The texture is clean but not sterile — there’s enough grit under the kick to keep the room grounded.

I’d place it in the melodic stretch of a set, after the deeper warm-up and before anything more pointed. Its width gives you room to blend, and the patient pulse lets a crowd settle into the groove instead of bracing for a peak. A useful record for holding a floor in motion while the night changes shape around it.