Love me

The drums lock in at 122 with a utilitarian thud, and the bassline, pitched in 7A, pushes the energy ceiling without letting the groove buckle. A vocal phrase threads through the bars, adding a human flutter to an otherwise machined framework; the melody wraps around it in minor-key loops that feel more functional than memorable. It is the sort of record that belongs in the thick of a set, not at the start: the 10/10 charge needs a warmed floor to make sense, and the D-minor tint keeps the mood rooted even as the hi-hats rush forward. Drop it when the room is already moving and let the vocal do the simple work of holding attention.