At 113 the kick never hurries, and that half-step of restraint is the whole trick: the groove sits back while percussion rustles around it, all brushed hats and small, wet clicks. In D minor the chords lean wistful even as the top end stays bright — happy and sad sharing a room, relaxed in feel yet reading eight on energy, with a low-end grit that earns the aggressive tag.
Texture does the rest: warm pads, a bassline that breathes rather than pushes, and enough space between elements that the room fills with air instead of pressure. It's an after-hours record, best dropped when a set needs to loosen rather than lift — early, or in that last hour when the floor is thinning and nobody wants to be shouted at. Danceability near 0.89 makes it easy to work with; the restraint makes it worth keeping.