Back To Funk

I hear "Back To Funk" as a speed garage missile locked at 136 BPM in 9A, its energy pinned at a relentless nine without sacrificing the swing implied by that funky hook. The tempo pushes the speed garage framework into Insomniac-scale territory, creating a momentum that feels elastic rather than bluntly forceful.

In my sets, this sits squarely in the daytime headline slot where bassline pressure needs to meet immediate physical impact; it accelerates a room without tipping into hardcore. That 9A tonal centre locks cleanly for mixing, and the sheer forward thrust gives me a credible bridge between underground groove and mainstage peak time.