All Over

At a relentless 140bpm in A minor, this Mesh cut wields its 10/10 energy like a precision tool, yet Alex Banks keeps the rhythm architecture firmly in IDM territory—sharp, tessellated, and restless. Running Pine’s vocal weaves inside the machine rather than floating above it, steering the whole thing clear of generic pop-house into something knotted and visceral.

It is built for the strobe-lit apex of a set, where the room demands equal parts emotion and pressure. That A minor key carries a bruised, nocturnal tint, while the tempo leaves no space for respite—only a sustained, tasteful surge that never cheapens its own drama. I would drop it when the floor is locked tight and the crowd is ready to carry the weight.