C2P

I’d swear Eden Burns designed this 136-BPM grid specifically to blur the line between synth-pop songcraft and raw club pressure. The key of F major gives those hooky, leftfield synthesisers a brightness that cuts through smoke, while the energy feels like a deliberate sprint toward the after-hours threshold.

In my sets, this is the moment the room tilts forward: too fast for languid warm-ups, too textured for utilitarian techno, it demands a floor already halfway to abandon. Public Possession’s signature oddball sensibility is intact, but here it is weaponised for peak-time impact rather than headphone reverie.