Good Times

At 125 BPM in the tight coil of 3A, this thing locks into a pneumatic four-four that refuses to relent. Cohen channels that nine-out-of-ten voltage into gleaming, razor-edged hi-hats and a bassline that pumps like a piston; the tension between his raw techno brutality and the track’s house framework creates a friction that feels genuinely dangerous beneath your feet.

It is the sort of record you reach for when the room is already blistering and you need to maintain altitude without slipping into obviousness. Its 3A centre keeps everything shadowy and lean, letting the energy do the talking rather than cheap melodic uplift—perfect for that midnight-to-one slot where bodies are moving on autopilot and the DJ’s only job is simply to keep the pressure valve sealed.