On My Way

I hear this at 125 BPM and immediately recognise maximum energy that never sacrifices its warm, emotional core. Kerri Chandler constructs the kind of organic deep house where every hat and chord feels hand-placed, the 11A key centre lending a subtle melancholic tension beneath the groove. To me, it sounds timeless in the truest sense: no gimmicks, just pure architecture designed for when the room is at its most vulnerable.

In my sets, it functions as a peak-time anchor with a late-night atmosphere, bridging the gap between ecstatic release and introspective reverie. The floor recognises it instantly; bodies lock into the rhythm as the track builds a room of its own, intimate yet massive. This is exactly why my crates still make space for Chandler: functional, soulful, and utterly devastating at 125.