Tempelhof

I hear the breaks landing with an elastic snap at 115bpm, translating that 9A minor-key tension into something far more athletic than the downtempo tag suggests. With energy dialled to nine, this one flexes rather than races, letting sub-weight architecture and razor-wire percussion carve out the groove.

When I drop this in a set, it slots perfectly into that transitional moment where the room needs forward motion without tipping into peak-time hysterics. The Joyce Muniz Music stamp feels like a quiet flag I’ve planted for contemporary UK bass; lean, identity-driven, and built for sound systems that prize texture over velocity.