Taking It Out For A Rip

The tempo sits dead at 128 BPM, yet the energy is an unrelenting ten-out-of-ten, a full-throttle collision of leftfield UKG syncopation and tech house muscle. That Touch From A Distance pedigree is audible in every bar: the sound design is hooky without being cheap, percussion snaps tight, and the low-end breathes late-night menace into the room.

This is a peak-time weapon pure and simple, built for the moment when the floor needs ignition rather than persuasion. It slots neatly into a rolling tech house set, yet those skippy, UKG-leaning rhythms give it enough flavour to stand out amid a sea of functional 128-BPM fare. Genuine after-hours credibility, executed with taste.