Released Sep 2020
Records released this month that the Ninja keeps in rotation, each with his take on it.
18 records in rotation · 147 plays on air
Artists
Tracks
A restrained 125 bpm meditation in woody, organic tech-house that trades fireworks for headphone intimacy and warm detail.
Warm organic deep house with club weight, riding a 125 BPM pulse that fills the floor without ever feeling forced.
A 125bpm hypnosis of raw dub pressure and rolling sub-bass engineered for the after-hours lock-in.
Relentless 128 BPM hypnosis dressed in after-hours cool; a leftfield juggernaut that refuses to let the floor go home.
Lean, 128-BPM F-minor pressure built for late floors, stitching musical hooks into a taut club framework.
At 146 BPM, it turns the room into a sweat-drenched cathedral of major-key longing.
An energy-10, 128-BPM surge that stitches melodic catharsis to a peak-time techno chassis without a single trance cliché.
A sleek, late-night synth-pop bullet that burns bright at 113 bpm without ever breaking a sweat.
O’Sullivan sculpts cavernous warmth at 125 BPM, turning melodic dub depth into pure after-hours propulsion.
A 115bpm minor-key crawl that wraps the floor in coiled tension and neon dread.
Leftfield breakbeat pressure polished through a Kitsune lens, primed for the terminally-online dancefloor.
I drop Anz's 136 BPM grime pressure cooker for the Hessle faithful and watch the room tighten.
Anz dials the gain down but not the grit, carving 133bpm breakbeat space for Hessle’s after-hours faithful.
I'd drop this feral, hook-laden 133bpm juggernaut whenever the basement needs peak-time devastation.
A wiry 130 BPM UKG flex from the Studio Barnhus camp, all leftfield bounce and after-hours swagger.
A polished after-hours cruiser that trades risk for warmth, perfect for the 4 AM comedown rather than the ceiling-shattering peak.