Dub / ninja
discoveries

Mon, 5 Oct 2026

92 added to rotation · every day's dig

The Ninja on the day's dig

Today’s batch dives deep into house and techno territories, leaning heavily on propulsive, late-night grooves. Larry Heard’s "Praise (Fingers Tribal Mix)" leads the charge with a commanding 9.2, while THE DEVIANTT’s "Holding" and Boy Harsher’s take on Yeah Yeah Yeahs keep the tension taut and dancefloor focused.

92 added to rotation

A relentless 109 BPM rework where D minor dread meets peak-time energy, forging a darkly melodic weapon for the floor.

I'd roll this 115-BPM cut for its cheeky swing and handcrafted bass, bridging disco warmth with deep-house floor logic.

I would drop this 8A, 122 BPM weapon when the floor needs Toy Tonics warmth at maximum voltage.

I’d call this 122-BPM D-minor pressure a fusion of Rummel’s organic warmth and peak-time tech-house muscle.

Deep house royalty at full tilt: warm, melodic and timeless, yet built for the peak-time floor.

Nu Zau dials a 128-BPM transmission in 7A—warm, hooky minimalism engineered for the after-hours haze.

A deep, immersive 128-BPM hypnosis that grips the floor with relentless late-night tension.

Free8.3

A sleek, emotive weapon for the small hours, marrying melodic sweep to a disciplined 125 BPM grid.

My floor needs this simmering, emotional 122-BPM hypnosis that restructures the room into pure Innervisions melodrama.

A glossy, full-throttle vocal house cut that wears its heart on its sleeve without sacrificing dancefloor muscle.

A maximalist 130-BPM siege in 4B that turns the Soma blueprint into pure, unrelenting warehouse hypnosis.

I reach for this when the floor demands the raw, hooky machine funk that justifies the Running Back pedigree.

Ninja Tune hosts a 136-BPM bassline collision where melancholy melody and peak-time energy share the same breath.

A pressurised one-forty vortex of tight percussion and sub-zero atmosphere that locks the floor into pure hypnosis.

Pure late-night hypnosis at 140 BPM: raw, unrelenting and built for the tunnel.

I hear relentless hypnosis at 138 BPM; a ten-out-of-ten energy surge built for the after-hours brink.

I would drop this 128-BPM dub-techno cruiser at peak time, letting its warm 9B chords bridge deep-house elegance with floor-weight pressure.

I keep coming back to how Simpson dials the energy to ten without torching the late-night warmth.

I reach for this when I need warm, melodic deep house that fills the room with soul and knows exactly when to hold back.

Leftfield melodic house with an emotive, quirky pulse; impeccably crafted for the discerning floor at a steady 120 BPM.

Melodic ache meets a 122 BPM engine, riding the knife-edge between peak-time pressure and genuine sentiment without a drop of syrup.

Sevdaliza's voice coils through a 120 BPM deep-house chassis with the effortless swagger of a peak-time anthem.

At 111 BPM, this leftfield disco cut smuggles accessible pop gloss into a sweatbox framework without diluting its club weight.

Dub-drenched low-end and a merciless 130 BPM grid make this a basement weapon par excellence.